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In addition to the documentation of the Festival on the National Mall, the collection includes field research conducted by Smithsonian researchers or, increasingly, by researchers drawn from the community, state, or nation featured. No object groups were found matching your selection. The Smithsonian Institution (/ s m s o n i n / smith-SOH-nee-n), also known simply as The Smithsonian, is a trust instrumentality of the United States composed as a group of museums and research centers. Booking an appointment is necessary to provide the best research and reference services and to ensure that the collections are available for your use, as some items are stored offsite. It consists of original recordings, business records, correspondence, and photographic material that the Smithsonian acquired with the purchase of Aschs label Folkways Records in 1987. (202) 633-7931, PetersonC@si.edu, Robert Leopold, As a living archive, our recordings and films are regularly issued or reissued for enjoyment and scholarly research. You can join terms with OR to match any, e.g. Alan Lomax (/ l o m k s /; January 31, 1915 July 19, 2002) was an American ethnomusicologist, best known for his numerous field recordings of folk music of the 20th century. A library of serials and monographs related to folklore, ethnomusicology, anthropology, musicology, and the music business is also available. We invite community members to reach out to us to discuss our Shared Stewardship of Collections policy and explore new avenues for collaboration. Black is beautiful. If that doesn't work, please visit our help page. Martin Luther King Jr. Alan, hosting the final concert for a huge and diverse audience on the Mall, declared: This is the Festival of the common man. Smithsonian Scholars Pick Their Favorite Books of 2020 This wide-ranging list offers much-needed context for the issues at the forefront of the national conversation In 1986, he was awarded the National Medal of Arts for his accomplishments. Field books are original records of scientific discovery. He saw the importance of the media in cultural work. It was founded on August 10, 1846, "for the increase and diffusion of knowledge". Listen to a Lost Ella Fitzgerald Recording according to the Smithsonian year-old recordings for release, producer Field used new engineering software that brought Fitzgeralds voice Use of our photocopy machine is free. Join 36,867 "volunpeers" to add more to the total 705,165 pages of field notes, diaries, ledgers, logbooks, currency proof sheets, photo albums, manuscripts, biodiversity specimens labels, and historic audio recordings, that have been Collections. Join our mailing list and help us with a tax-deductible donation today. The traditionally handwritten field documentation in the nineteenth centu Your generosity will help support a wide range of collections care and digitization initiatives for the continued care and shared stewardship of the National Collections. Alan Lomax (1915-2002) was a major figure in folklore and ethnomusicology, known for his theoretical work, cultural advocacy, and seminal public programs. (202) 633-0663, WalkerDM@si.edu. Erin Malsbury is an intern in the Smithsonian National Museum of Natural Historys Office of Communications and Public Affairs. The Smithsonian has developed guidelines to be used by television and film producers in working with Smithsonian units. Learn more. Thousands of examples of resources organized and structured for teaching and Marimba Band: Smithsonian Field Recording - Pandora. The bulk of these materials is analog and digital documentation of theSmithsonian Folklife Festival, formerly known as the Festival of American Folklife. The Gambier Folklore Society was founded at Kenyon College George Margitich was the conductor of the Don Cossack Harry Urata was born in 1917 in Hawai'i Jay Scott Odell (b. The Smithsonians acquisition of Folkways Records, initiated with Ralph Rinzler before Moes death, was completed by the Asch family and takes the form of the Moses and Frances Asch Folkways Collection and Smithsonian Folkways Recordings Through archival materials in our collectionssound recordings, field notes, books, and artifactsSmithsonians Recovering Voices initiative helps reconnect individuals and communities Inverse expansion buttons () indicate records with multimedia (typically, images). Named for two key figures in the Centers history, Kathryn Kate Hughes Rinzler (19372010) and Ralph Rinzler (19341994), the Kate and Ralph Rinzler Collections Care Endowment Fund acknowledges the legacy of the enterprising network of folklorists, ethnomusicologists, anthropologists, and cultural activists who shaped more than fifty years of cultural research, programming, and acquisitions with the Center for Folklife and Cultural Heritage. Cecilia Peterson, Digital Projects Archivist Duplication of some audiovisual materials may require permission from the performer or interviewee in the recording. The thousands of field recordings they collected revealed a wealth of folk music in the United States, Haiti, and the Bahamas, and led to the publication of popular folk song collections such as American Ballads and Folk Songs and Negro Folk Songs as Sung by Leadbelly. 600 Maryland Avenue SW, Suite 2001 Our various collections are global in perspective, covering world ethnic performance traditions, spoken word recordings, sounds of science and nature, occupational folklore, and family folklore. The Smithsonian Institution holds millions of other collections across its units. The Rinzler Archives houses the Moses and Frances Asch Collection, which was named to UNESCOs Memory of the World International Register in 2015. This collection of field recordings made by ethnomusicologist Laura C. Boulton was originally issued in 1957 on Folkways Records. Later, Alan served as an advisor and presenter for the early Smithsonian Festivals. Interim Archives Director This series of 24 one-hour programs explores the remarkable collection of music, spoken word, and sound recordings that make up Folkways Records (now at the Smithsonian as Smithsonian The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Production of the Catalog in the recording represents a wide variety of tunes and styles! Can not process digitization requests advocating for the people of distinctive local traditions Ridge Institute & of. Federal holidays of knowledge '' s Volta Laboratory the collection includes more a. 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